色花堂app

Artist's Statement

          I have been chronically fixated with drawing for as long as I have been alive. Though there are several reasons for this, I will strive for brevity by stating solely that I am fascinated with the way in which the drawings I make from real-life references will reflect, openly and with emphasis, the particularities of my own perception. In this way, the images I make do not reflect that which is outside of me so much as they reflect that which passes through me.
          When painting, I always start with photographs. Each painting starts with a collection of images that seem to relate to each other, for reasons which are yet to be clear and which I intend to at least glimpse in the process. Several of the photographs I use are my own, some are photographs I have found. In other cases, I may work from memory, or I may work from what appears to be nothing, in which case the resultant image is a surprise which grants visibility to something unseen.
          Part of what I am interested in is an interrogation of the grounds on which we are readily apt to perceive something as ordinary, and to accept it as real. Art, broadly speaking, has been historically bound to a criticism of tradition - a continual questioning of what is to be expected, and of what is deemed acceptable. This is the space in which I mirror what I see, and in which I have tentatively detected a kind of liberty to render my own perceptions and experiences to a degree which may not be confined to the present visual paradigm. If these images should breach the parameters of intelligibility, then they speak to the points at which these parameters are in need of revision.

Artist's Statement

When looking at my current body of work it may be hard to identify a commonality amongst my pieces. My art varies in mediums, color choices, subject matter and technique. Therefore, my work does not fit into the mold of a specific 鈥渟tyle鈥� of art. However, what these pieces do show is my exploration through the art world. 

My work began as acrylic paintings of still life鈥檚. This was my comfort zone. Then, I began to explore different mediums: oil, charcoal, embroidery, ink, and even a stretch to ceramics. My interests and influences began to expand as my knowledge of the art world widened. With this, I began to create art that was influenced by abstract art, pop art, expressionism, realism, and so many other art movements. 

For example, my paintings that depict Japanese cuisines, Somen and Ocha, were inspired by pop artist Wayne Thiebaud as well as the contemporary painter Josephine Halverson. Motivated by Thiebaud鈥檚 depiction of childlike nostalgia in the form of cakes, doughnuts, lollipops, and pies, I chose to depict my own experiences of child-like nostalgia via Japanese food. Halverson鈥檚 influence can be observed in the style of the paintings as well as the earthy color palette and the depiction of realistic imagery. Other works, such as my painting Self-Portrait, was influenced by the work of Expressionist artist Egon Schiele and his painting Seated Woman with Bent Knee. Similar parallels can be drawn between the two paintings including the use of stylized forms, distinctive posing, muted color palette, and the incorporation of a variety of mediums. 

My painting titled Closed for Covid was inspired by the work of Edward Hopper in the 1930s. Just as his painting Early Sunday Morning depicts the desolation of the American Life apparent during the Depression, Closed for Covid depicts the isolation caused by the Corona Virus. Hopper depicts the quiet and melancholy streets of what appears to be a small town. The shops are closed, and the lack of a human presence connotes a feeling of emptiness. Closed for Covid depicts similar imagery that was seen during the economic shutdown. My painting was inspired by a movie theatre in a small town in rural Idaho. This movie theatre had to close down due to Covid-19. On the marquee sign of this theatre, it read, 鈥淐losed For Covid.鈥� A somber analogy to the negative impact that the outbreak has caused on so many small businesses in the U.S. I wanted to create imagery that was dismal and bleak, similar to what Edward Hopper depicted in several of his paintings. 

All of these influences, among many others, have impacted my current body of work. The varying styles of art as exhibited in the show, does not adhere to a specific style and signature of art. Instead, my work reflects and encompasses the expansion of the art world in my eyes.

 

- Emi Grunig

Artist's Statement:

Paradox is the basis of our perceptions of reality. Without deep pain, one may not experience great joy. Without experiencing terrible anxiety or being uncomfortable, I may never understand my bed's comfort on a lazy Saturday morning. It is vital to experience beauty in contextually bad moments鈥攖he profound and striking aesthetic when reality punches you squarely in the face. In moments of hard truth, one must also be inspired by unreality鈥攖he strange moments in life that seem dissociated from daily actuality. The question becomes: if I could completely separate myself from reality, would I still carry the same baggage. If I could step into an alternate universe, would that universe still carry the heavy burden of this one? Is there ever any escape from the suffering of living, and if there was, would the meaning of serenity be lost without this present context?

 

Through painting, sculpture, and fibers, I explore my pain and everyday fears of societal and personal expectations. I use tangible materials to express my feelings and anxieties about accepting hard truths鈥擜ccepting my shortcomings and inner self resentment. I use anatomical motifs to describe the human impact that people have on the world and each other.  I also employ botanical images to express the incredible beauty and terrifying totality of nature's laws. I use thread in embroidery the same way I use paint to combine and layer colors creating slightly surreal rich visual imagery. My work is completed obsessively and instinctually, consuming large areas of real estate of mind. My work does not represent reality but rather the idea of reality distorted through layers of the subconscious mind. It reflects my own sense of reality through the context of my psyche; a dark yet tentatively hopeful interpretation of this strange thing that is existence.

 

Artist's Statement

"I know there will always be someone that throws down paint better than I do. I know there will be someone that translates a nose or a lip with more detail, with more exactness and more skill. But that's not why I do this. I do it because it's hard for me. I do it because sometimes it just really makes me want to use profanities or throw something at the wall. Painting pushes me past my comfort point in my own head and forces me to look at what I can do and if I am satisfied with it. It forces me to make a sound. My sound. This is what I sound like...like it or not."